– Find your light. We want to see you. For that same reason, don’t let anything cover your face – not hats, not hair, nothing. Your face is as good a tool as your voice, and we want to see it.
– At least half of everyone we saw at auditions suffered from Wandering Feet. Aimless walking is more distracting than you can imagine. Almost as bad are Locked Knees, a person not just still, but immobile. Less distracting but still noticeable is Hip-Shifting, tossing one’s weight back and forth in a stationary position. Believe it or not, most of the time these are the things that keep auditors from listening.
– No. Repetitive. Gestures. Thigh-slapping is particularly egregious. (This also goes for sighing. More than one sigh in an audition is murder)
– No half-hearted gestures. Either move, or don’t. A half-gesture lacks commitment.
– Your attire speaks volumes about your interest. Be comfortable, by all means – no need to dress up. Jeans, shorts, t-shirts, all fine. But don’t look as though you’ve just rolled out of bed. If you wouldn’t wear it to the bar or on a date, why wear it to an audition?
– No flip-flops! It’s not just the sound. Bad footwear interferes with the way you naturally walk.
– Here’s an odd one – no cologne or perfume that we can smell out in the house.
– Don’t waste our time with your prep. Take off your sweatshirt before you come in, and be ready to go.
My problem with sighs is that they can be bad acting. When people get emotional, they sigh out that energy and then are able to start again more controlled. Don’t release that energy in a pause, release it on the lines, put that emotion into the words. There are places for sighs, they can be a powerful choice, but they are a choice and should be a choice and only undertaken with due consideration, not just be an accident or unintentional.
I wholly agree.