Cover art is a tricky business. It can make or break a book. And it's always dangerous for authors to have too much say in their covers. But, as with other Sordelet Ink books, I get final say.

It was bad from the start. I walked into this art design thinking I knew what I wanted, and at the same time not liking the idea. Because I am often quite literal-minded, I was thinking of representing each of the five emperors in this novel – floating coins of each usurper, centered around Nero's coin/bust/face. Then I realized I was unconsiously stealing from one of my sourcebooks, Gwyn Morgan's excellent 69 A.D. – THE YEAR OF THE FOUR EMPERORS


Morgan_69-ad

So I discarded that, but was still hung up on coins. I thought about coins spilled from a vase, with each of the emperor's faces upwards from a bloody ground, and even found some art that I almost liked.  


Stock-photo-ancient-greek-coins-found-in-the-ruins-of-ampurias-spain-isolate-don-white-103344365But still, I was being far too literal minded. Besides, these are going to be Amazon thumbnails for the most part. To have
something as subtle as coin faces on a bloody ground would mean very little to the average Amazon Kindle shopper.

So I returned to the image for the first Colossus novel, designed by Rob McLean, and decided I much preferred something along those lines. I looked at all the faces of the emperors in question, and decided against them all. Instead I chose a Rome legionary to be my stand-in for Sabinus, just as we used Bernini's David to stand in for Judah (and Asher, his twin). 


Collossus12.5

So allow me to present the cover for my upcoming Roman novel, COLOSSUS: THE FOUR EMPERORS. 


4 Emps 1